Podcast #4_DJ KOOLT ::techno series 1:: BASIC BEAT

“Living since the beginnings, step by step, Montevideo’s musical evolution, and being influenced by the vanguard’s sounds. Since his career beginnings in 2000, Koolt has had a clear musical course to follow. Influenced by the world’s musical scenario, and trying always to make his public feel the newest sounds, never forgetting styles like Chicago House or Detroit’s Techno. Owner of a particular style, no one like him reached such a great respect and feedback from the public, deserved, of course. In 2003 he reach the Milenio´s Dance residency, considered as the best club of the underground in Uruguay. In 2004 he start to play at foreign countrys: Argentina: Bs As (Cocoliche), Córdoba (Infierno, Lokitas, La Luna), Santa Fe (La Quimera) and Brazil: San Pablo (D- Edge, Hell´s Club, Lov-e, Sunday Away, Soul Sister), Río de Janeiro (Dama de Ferro, Fosfobox, Clube 69), Amazonas, Curitiba, Porto Alegre, Camboriú y Rio Grande Do Sul (Skytronic, Casabranca). He had sheared boxes with long-path, national and international Djs like: Robert Hood, Casey Hogan (USA),Tom Clark, Todd Bodine, Guy Gerber, Whignomy Brothers, Mouse on Mars, Ellen Allien, PanPot (Germany), Paul Ritch, Frankie, Bruno Gervais (France), Alexi Delano(Chile), Mike Parsons, Peter Hook (New Order), (UK); Anthony Pappa (Australia); Paco Osuna, Xpansul (España), 100% Isis (Netherlands), Franco Cinelli, Carla Tintoré, Facu Carry, Cristobal Paz, Dr. Trincado, Dee Jason, Udolph, Mariano DC (Argentina); Renato Cohen, Gabo, Gorge Actv, Eric Caramelo, Mau Mau, Renato Lopes, Juan Rodrigues, Pil Marques (Brazil), Christian Cambas (Greece), Stephen Beaupre(Canada), Nicolás Lutz, Recycle, Fede Lijt, Y.E.P., Paco, GRHK crew, Detected, Marcelo Castelli, Fernando Picón, Álvaro Quartino, Eduardo Esquivel (Uruguay) among others. At this moment, his is one of the most importants references, due to the great influence he has given to the young uruguayan electronic artists, besides being the most requested dj of the area. It’s so interesting to see the connection he creates with his public during his sets; thanks to his great handling of the dancefloor’s situations and environments; like it is, his permanent musical renovation. In each of his performances, Koolt will always impose his own typical signs.”

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